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Three Reperformers from “Marina Abramović: The Artist is Present” Respond to...
Hallway converted to performer green room on the 6th floor of the Museum of Modern Art. Photo: Abigail Levine We read with interest and dismay Yvonne Rainer’s critique of Marina Abramović’s performance...
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Reprint: Paul Chan & Claudia La Rocco, “The Interview”
Well, I finally made it to Documenta. Good lord this sucker is big. I’m almost sort of scratching the surface of the surface. With a very frazzled toothpick. One of my favorite things so far is Paul...
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Performance at the Beginning of the 21st Century
Speakers at Performa’s “Why Dance in the Art World?” panel. Photo: © Paula Court/Courtesy Performa By Aaron Mattocks Download a copy of this essay “On that glittery globe called the art world,...
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Found (on Facebook) Poetry
Andrew Horwitz On a related and intriguing side note to my essay on Cultural Production, etc. My trustee research assistant told me that a dancer friend of his moved to nyc 7 years ago and tried to...
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Thoughts from afar
Norway is almost unbelievably beautiful. The air is drinkable. I’m stranded in it. Land’s end in Flåm Which sounds like it shouldn’t be so bad, and is of course a hell of a lot better than many New...
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Skin Deep
By Kathy Wasik Last weekend, I danced in Deborah Hay’s Blues, a work presented as part of a series curated by the choreographer Ralph Lemon at the Museum of Modern Art in New York City. The piece...
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Shifting Positions: Notes On Identity & Judson Dance Theater
Marissa Perel interviews Carolee Schneemann at Judson Memorial Church. Photo: Ian Douglas. By Marissa Perel “The body is the very grounds on which social and public identity is fought.” – Julia...
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Judson Has Left the Building
Howard Moody with Eleanor Roosevelt, 1959; Judson Memorial Church Archive; Fales Library and Special Collections, New York University. By Karen Sherman The remarkable force of Howard’s personality...
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